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Nowhere Plains (2005 & 2008) |
![]() ![]() (Top) Mission patch. (Above) Helmet and top half of the spacesuit. The helmet was built from scratch, mainly using vacuum—formed plastic. The grey front unit contains lights and a microphone. The spacesuit was based on a snowboarding outfit with added fittings to attach the helmet, custom patches, and other alterations such as the oxygen valves, which are just below the mission patch in this image. The aviator/astronaut cap is real. ![]() ![]() ![]() (Above) Logo designs for the fictitious space agencies BERG and UNSA. These were used on the spacesuit, the onboard jumpsuit and the t—shirts worn under it in transmissions 1 and 2. (Below) Stills of the animated live CG backgrounds for transmissions 2 [the 2001—influenced centrifuge] and 4 [crash site on Mars]. UNSA is an invention/extrapolation of my own, but I subsequently discovered that there really is a United Nations Office for Outer Space Affairs (forming the somewhat less mellifluous acronym UNOOSA). The office’s site is about as boring as you would expect a United Nations department’s internet presence to be. Of course there is also the European Space Agency, whose site is actually worth visiting if you like that kind of thing. The British Experimental Rocket Group was an organisation headed by Professor Bernard Quatermass in Nigel Kneale’s Quatermass BBC TV serials from the 1950s. B.E.R.G.’s operations were only slightly lower budget and a little more disastrously cavalier than they would be if the UK really had a space exploration program in the Fifties: the first British astronaut mutated, absorbed his crewmates like a fungus and went insane; The Professor’s plans for moon bases were hijacked by malevolent extraterrestrial slimes intent on colonising Earth; an excavation of a crashed space ship at Hobbs Lane tube station unleashed a Martian—inspired bout of violent telekinesis, homicide and mass psychosis in nearby Londoners. Below is a (non-exhaustive) list of the works referred to or quoted in the text of ’Nowhere Plains’. There’s a lot of creative DNA from Alan Moore, Orson Welles, Philip K. Dick and J.G. Ballard in this project, but all of the following were influential in some way, directly or otherwise: Films, radio and television: Ambrose, David — Alternative 3 (1977) Books and stories: Arnold, Edwin L. — Lieutenant Gullivar Jones: His Vacation AKA Gullivar of Mars* (1905) You can also read my article on utopianism, genomics and the enlightenment at the art magazine MAP’s website. * Indicates a link to the actual text, mostly at Project Gutenberg although they’re usually also available from many other places. |